During the exhibition, experts and scholars participating in the seminar on “Promoting Traditional Costume Culture” discussed Chinese traditional costume culture, looked forward to the future academic direction of textile and apparel culture, and exchanged ideas on the inheritance, innovation and future development of Quanzhou modern textile and garment industry. .
Chinese clothing shows cultural confidence
Professor Wang Yarong, president of the Textile Relics Society of China, textile archaeologist and the first person in the field of weaving and embroidery in China, said that clothing as a symbol and symbol of the national image and traditional culture represents the development and crafts of this country's costume culture. Level. In major events, countries have displayed their own clothing culture in different forms.
China's traditional clothing is not easy to keep. Everything we can see is the epitome of the culture of that era. Today we see that they feel good because they reflect the beauty and confidence of that era. Apparel is not only a carrier of national and national culture, but also a manifestation of the aesthetic value of each national. As a descendant of Yan and Huang, inheriting traditional costume culture is our duty and responsibility. I hope that everyone will love traditional costume culture and be more willing to wear Chinese clothes and be Chinese with cultural confidence. At the same time, I hope that the Chinese designer team will show the charm of Chinese costume culture.
Sustainable fashion should be based on culture
Professor Cai Shuli, Dean of the Institute of Fabrics and Clothing at Fu Jen Catholic University in Taiwan, shared a report on "The New Thinking of Sustainable Fashion" at the seminar. She believes that sustainable fashion should be based on culture and art, with design as a tool and technology as a carrier, specifically from four aspects of design and technology, big data and communication, management and management, culture and assets. Fashion companies should link economic development to environmental burdens, shifting from traditional fashion to sustainable fashion that is organic and biodegradable. Consumers need to understand the needs of customers and consumers and actively encourage them to make new choices or new consumption patterns.
Quanzhou ancient and modern are attached to clothing
“In the Song and Ming dynasties, Fujian has become an important production place for Chinese silk. Quanzhou satin and leno are sold to all parts of the world.” Zheng Guozhen, former director of the Fujian Provincial Cultural Relics Bureau, introduced the English, French, and French studies. The pronunciation of "satin" in German is derived from the pronunciation of "zaitun", which is synonymous with "satin" in China. Today, Quanzhou textile industry is still brilliant, and its products are sold at home and abroad.
Chen Huiping, director of the Bureau of Culture, Radio, Film and Tourism of Quanzhou City, said that the ancient "Maritime Silk Road" crossed the vast ocean and used trade as a link to connect China with the world and promoted exchanges between China and foreign countries in economic and cultural aspects. Quanzhou is the most prosperous eastern port in the prosperous period of the East and West trade of the East and West. Its silk production and trade flourished. After the founding of Quanyuan Temple in the Tang Dynasty, Huang Shougong settled in Quanzhou, the governor led his family to serve the sericulture and sericulture. He relied on the textile industry to become the elder of the rich and the good, and there was a mulberry tree in the Kaiyuan Temple for more than 1,300 years. At that time, the counterfeit goods of Quanzhou were listed as the eighth in the country and were used as tributes. The silk fabric of Quanzhou in the Song Dynasty was praised by the Northern Song Dynasty prime minister Su Shi as “the Luo Luo did not reduce Wu Chun”. During the Southern Song Dynasty, Quanzhou silk fabrics have been exported to Japan, North Korea, Vietnam, Cambodia, the Philippines, Indonesia, Malaysia, India, Sri Lanka, and Tanzania. The famous traveler Ibn Battuta in the Yuan Dynasty recorded in his travel notes that “the brocade and satin weaved here are also named after the thorns. The port of the city is one of the world’s largest ports, even the largest port”; Tongcheng is extremely fond of producing silk satin, which is superior to those produced by Khansha (Hangzhou) and Khan Bali (Beijing). "The Chinese king gave Mohamed Sultan satin 500 horses, of which 100 are The thorns are weaved, and hundreds of them are weaved in Khansha (Hangzhou). The history book said that Quanzhou “weaving and dyeing is the best in the world”, and continued to the Ming Dynasty, Quanzhou is still the textile and weaving center of Fujian. Now there is the Qingbai source well in the Quanzhou City, which is famous for its clean and good dyeing. The massive output of Quanzhou silk fabrics not only plays an important role in the material life of the people of the world, but also has a profound impact on the development of world culture.
Quanzhou's textile industry not only has a glorious and splendid history, but the modern textile and garment industry is also constantly developing in the process of inheritance and innovation. Especially after 40 years of reform and opening up, it has formed from spinning, weaving, bleaching and finishing. To the complete industrial chain of garment production, it has become a pillar industry and has created a number of prestigious brands. With the continuous advancement of marketization, Quanzhou relies on the comparative advantages of developed private capital, abundant overseas Chinese capital, active ideas and flexible mechanisms to develop and strengthen the private economy, and has created a characteristic road that takes local enterprises as the main body and uses external resources to develop industries.
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